Check out this great work by VCS Class of 2020 grad Barbara Priolo recently published by the London Centre for Interdisciplinary Research and K. Revue trans-européenne de philosophie et arts:

Stefania Guglielmo, Tiziania Lentini, and Barbara Priolo, Contemporary Migrations between Cinematographic Representations and Historic Reconstruction: The Cases of Human Flow (2017) and Fuocoammare (2016)," IDEA 2 (June 2022): 105-123 https://www.lcir.co.uk/simp/wp-content/uploads/2022/08/IDEA-Issue-2.pdf

“Le architetture impossibili di Malevič: verso una nuova forma di ‘abitare urbano’” K. Revue trans-européenne de philosophie et arts 9 (Feb. 2022): 193-203. https://revue-k.univ-lille.fr/numero-9.html

VCS students' work

VCS students Liz Godbey and Emilia Shaffer-Del Valle are co-editors of Rewind Review Respond, an online forum where CCA students write about recent events and the ideas that affect their practice, communities, and fields of study.

VCS student Samantha Hiura writes on @irmayulianabarbosa performance and installation, Pulling Tongues:

https://portal.cca.edu/essentials/exhibitions/rewind-review-respond/

Work from VCS Class of 2016 Forrest McGarvey and VCS Thesis Advisor Marcel Pardo Ariza featured in SF Camerawork exhibition DISMANTLING MONOLITHS

Curated by Jamil Hellu
January 17 - March 25, 2023
Opening Reception: Saturday, January 21, 3-6 pm
Location: Fort Mason Center, Building A
SF Camerawork is proud to present Dismantling Monoliths, a group exhibition of artists who catalyze their medium to challenge conventions. Through critical engagement and intimate gestures, Dismantling Monoliths calls attention to the multidirectional ways in which contemporary artists are recontextualizing the canon of Western history while envisioning fresh perspectives for identity representation, visibility, and inclusion. The exhibition presents works, from photography to video, by Alanna Fields, Xandra Ibarra,Tarrah Krajnak, Forrest McGarvey, Marcel Pardo Ariza, and Aaron Turner. Together, they shatter stereotypes and shift the monolithic historical frame of reference to new dimensions.
https://sfcamerawork.org/upcoming-exhibition

image: Alanna Fields, Untitled (Blue), 2019. Image courtesy of the Artist.

Research and Academic Program talk

Jordan Reznick (Getty Research Institute / NEH Postdoctoral Fellow at the Getty) examines how the intergenerational manipulation of plant communities practiced by Indigenous peoples shaped the technological and aesthetic makeup of the photographic medium during the decades following the American invasion of California.

Presented in person in the Clark auditorium. This event is free with a reception in the Manton Research Center Reading Room starting at 5 pm.